{"id":571,"date":"2019-02-07T17:23:12","date_gmt":"2019-02-07T17:23:12","guid":{"rendered":"https:\/\/parsons.edu\/sheilacjohnsondesigncenter\/?p=182"},"modified":"2020-09-27T16:50:27","modified_gmt":"2020-09-27T16:50:27","slug":"speculative-cultures-a-virtual-reality-exhibition","status":"publish","type":"post","link":"https:\/\/parsons.edu\/sheilacjohnsondesigncenter\/speculative-cultures-a-virtual-reality-exhibition\/","title":{"rendered":"Speculative Cultures: A Virtual Reality Exhibition"},"content":{"rendered":"

Curated by\u00a0Tina Sauerlaender (DE),\u00a0Peggy Schoenegge (DE), and Erandy Vergara (MX\/CA).<\/p>\n

Cultures have never existed in a set state. They are all in constant flux brought about by social, economic, and technological developments. The global flow of people forges change, adaptation of norms and the creation of new forms for human societies, religions, rituals, or spoken languages. These processes of change lead to the adoption of new tools or practices and therefore can be considered as engine for progress, growth, and innovation.<\/p>\n

The new tools of the digital age offer new possibilities for cultures to exist, evolve, and consolidate. Virtual Reality allows artists to speculate about new manifestations of cultural expressions within the conditions of the digital realm. Independent of physical surroundings, new spaces spring into existence.<\/p>\n

The artists in this exhibition engage with their personal experiences, memories, and cultural heritage in order to reflect on today\u2019s social coexistence. Morehshin Allahyari\u00a0<\/b>(IR\/US) reflects on post-colonialism by exploring meanings of myths of Middle-Eastern origin. Scott Benesiinaabandan<\/b> (CA) creates a futuristic setting based on a story of the indigenous Anishinabe peoples.\u00a0Matias Brunacci\u00a0<\/strong>(AR\/DE) develops an interactive, technology-based shamanistic journey. Yu Hong<\/b> (CN)\u00a0refers back to Chinese history and her families\u2019 life stories. Francois Knoetze<\/b> (ZA) combines present and future, as well as representations and fictional visions of South Africa. Erin Ko<\/b> (US) and Jamie Martinez<\/b> (CO\/US) create a journey to the afterlife inspired by the Egyptian Book of the Dead<\/em>.<\/p>\n

Through their works, the artists shape their hopes and desires into virtual environments representing imagined cultures. Their speculative virtual worlds create different perspectives on established narratives and traditions, as well as images and symbols. The artists\u2019 projects thereby open possibilities for leaving accustomed views and familiar structures behind and exploring different notions of one\u2019s own personal surroundings and conditions of human existence.<\/p>\n

This show is part of the exhibition series\u00a0Critical Approaches in Virtual Reality Art<\/i>, which was developed by Erandy Vergara and Tina Sauerlaender, the curatorial team \u00a0at the invitation of the Goethe-Institut<\/a> and Studio XX<\/a> in Montr\u00e9al. This series brings together Erandy Vergara’s engagement with postcolonial and feminist perspectives on media art and theory and Tina Sauerlaender’s curatorial engagement with digital technologies and Virtual Reality.\u00a0 Sauerlaender and Schoenegge make up the curatorial team behind p<\/a>eer to space<\/a>,\u00a0a mindset which combines the concept of peer-to-peer networking with the ideas of space, freedom and openness to artistic expression.<\/p>\n

Presented in partnership with the Consulate General of Canada in New York<\/a>.<\/em><\/p>\n

Technical expertise and support kindly provided by the XReality Center at The New School<\/a>. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Curated by\u00a0Tina Sauerlaender (DE),\u00a0Peggy Schoenegge (DE), and Erandy Vergara (MX\/CA). Cultures have never existed in a set state. They are all in constant flux brought about by social, economic, and technological developments. The global flow of people forges change, adaptation of norms and the creation of new forms for human societies, religions, rituals, or spoken languages. These processes of change lead to the adoption of new tools or practices and therefore can be considered as engine for progress, growth, and innovation. The new tools of the digital age offer new possibilities for cultures to exist, evolve, and consolidate. Virtual Reality…<\/p>\n","protected":false},"author":209,"featured_media":1110,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[5],"tags":[],"year":[12],"class_list":["post-571","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past-exhibitions","year-12"],"acf":[],"yoast_head":"\nSpeculative Cultures: A Virtual Reality Exhibition - Sheila C. 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