{"id":13239,"date":"2021-06-14T17:23:26","date_gmt":"2021-06-14T21:23:26","guid":{"rendered":"https:\/\/parsons.edu\/undergrad\/?post_type=student-work&p=13239"},"modified":"2021-06-14T17:24:14","modified_gmt":"2021-06-14T21:24:14","slug":"leo-qian-2","status":"publish","type":"student-work","link":"https:\/\/parsons.edu\/undergrad\/student-work\/leo-qian-2\/","title":{"rendered":"Leo Qian"},"content":{"rendered":"

The woodblock prints and paintings of Hishikawa Moronobu are celebrated for pioneering Ukiyo-e, a defining genre of Japanese art popularized during the Edo period (1615-1868). An alternative facet of his artistic practice less familiar, are his kimono designs rooted from a family background of traditional craft in textiles. From the Metropolitan Museum’s exhibition, Japan: A History of Style, a woodblock printed book of pattern designs titled “Contemporary Kimono Patterns” brings insight to Moronobu\u2019s artistry in fashion. Dated 1677, the illustrated book in ink on paper is sized 10 11\/16 \u2002 7 1\/2 inches. Stemming from two designs of this collection, the intersection of art and fashion is explored through the intrinsic link between woodblock prints and textiles in documenting culture and lifestyle manifested in Ukiyo-e.<\/p>\n

Image: Hishikawa Moronobu, \u201cContemporary Kimono Patterns,\u201d n.p. 1677, Japan. Location: Metropolitan Museum, NYC.<\/p>\n

Paper excerpt:<\/strong><\/p>\n

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