{"id":14042,"date":"2022-02-14T17:20:58","date_gmt":"2022-02-14T22:20:58","guid":{"rendered":"https:\/\/parsons.edu\/undergrad\/?post_type=student-work&p=14042"},"modified":"2022-04-27T14:37:55","modified_gmt":"2022-04-27T18:37:55","slug":"mina-kasimoglu","status":"publish","type":"student-work","link":"https:\/\/parsons.edu\/undergrad\/student-work\/mina-kasimoglu\/","title":{"rendered":"Mina Kasimoglu"},"content":{"rendered":"

Focusing on some of the more familiar exoskeletons we see, I tried to incorporate the sharp features of scorpions, the elongated and wire-like aesthetic of spiders, and the hydrophobic elements of ants in the general concept. I was also heavily interested in the mobility found between the exoskeleton shells, and researched medieval armor, emulating a neck guard and a helmet, as well as somewhat adopting the shape of the plague masks to suggest defense. My favorite portion of my research on exoskeletons was in regards to something visually aggressive \u2013 ragged and sharp \u2013 being used for the sake of defense, or basic senses. I knew I wanted to find some balance, so I tried to retain some of the predatory visuals that come with the animals I research by creating shapes with many points. However, to get to those pointed ends are long, curved edges, adding some elegance to the overall design of the piece. Wire worked best for this project, as I found that it was easily malleable but provided a sturdy foundation for the piece to take shape.<\/p>\n

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