After creating a series of observational drawings of my desk environment, I noticed how many of my sketches dealt with two overarching ideas. The first being sensory touch, and the second being human connection to technology. In class we were dealing with operational elements of cropping, combining, and translating images. Therefore, the warped phone is a product of combining two different observational drawings I had done, as seen below. From there, I chose particular drawings that I thought evoked the most universal and prominent sensory feelings when touched. It’s ambiguous to the viewer if these objects are within the screen or are popping out of the phone as real objects. Are the hands actually feeling the smoothness of the brushes? Is the finger really being pierced by the pencil point? Maybe these are just moments of false human connection that the warped cell phone facilitates.<\/p>\n","protected":false},"featured_media":15077,"template":"","meta":{"_acf_changed":false,"_links_to":"","_links_to_target":""},"categories":[22],"tags":[],"class_list":["post-15072","student-work","type-student-work","status-publish","has-post-thumbnail","hentry","category-drawing-imaging"],"acf":[],"yoast_head":"\n