{"id":16323,"date":"2024-01-10T15:25:22","date_gmt":"2024-01-10T20:25:22","guid":{"rendered":"https:\/\/parsons.edu\/undergrad\/?post_type=student-work&p=16323"},"modified":"2024-01-10T15:25:22","modified_gmt":"2024-01-10T20:25:22","slug":"norah-atienza-2","status":"publish","type":"student-work","link":"https:\/\/parsons.edu\/undergrad\/student-work\/norah-atienza-2\/","title":{"rendered":"Norah Atienza"},"content":{"rendered":"\n

I chose to paint this sculpture of Frida Khalo since it was a beautiful sculpture and I love drawing portraits. The process consisted of me sketching the figure lightly before painting. I then began going in with tones on the face, painting from light to dark to build up layers (glazing). In order to create textures and details in the creases of her hair, I painted wet on dry with the smallest brush. I also painted the background with the wet on wet technique. It\u2019s painted so that it\u2019s not completely dark, with brush strokes still visible in order to make it appear more dynamic.<\/p>\n\n\n\n

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