Aiyo Cheboi

Experimental Researcher
my work is very experimental, and I seek to move across mediums and technologies in a playful way. It is hinged on storytelling and narrative and asking deep probing questions that may reveal the inner intimacies of life itself. I seek to form connection points as I move across the boundaries and limitations of each medium.
my work is very experimental, and I seek to move across mediums and technologies in a playful way. It is hinged on storytelling and narrative and asking deep probing questions that may reveal the inner intimacies of life itself. I seek to form connection points as I move across the boundaries and limitations of each medium.
Thesis Faculty
Nancy Valladares, Barbara Morris, Fields Harrington, Loretta Wolozin

Un / Binding Re / Membering the Earth Body

a long exposure image traces light streaks over a dress
a transparent care label is visibly stitched into a faded floral dress
care label, 2023

Concept Statement:

Un / Binding Re / Membering, the Earth Body, is an exploratory narrative that traces ghosts, rituals, and the process of becoming through a personal archive entangled with an academic archive. An audience encounters a series of ghosts stories shaped around Lipton tea in the form of an encounter with Sir Thomas Lipton, the creator of Lipton Tea, a personal diary recollecting an account of self-death, Lipton tea bags tethered to the memory of the Temperance Tea Party Movement, and a dress, mended with SCOBY skin, bound to a Care label reflecting gender dynamics on a Lipton tea plantation. As the ghost stories move through the objects they are attached to, the physical matter that pulled these energies together decomposes in a memorial entitled The Plantation brought me mother (and the acrylic house of Illusions).

The Plantation brought me mother (and the acrylic house of Illusions) is a response ‘to the life that died so that I could call this into existence’ inscribed on its transparent facade, a product of standardization and highly financialized consumerism. At the heart of this acrylic house, the labor of the Red Wriggler earthworms and soil mites becomes mainly invisible to an audience. Buried at the core are the biological remains of my Mother, a form of an agentic entity represented by a symbiotic culture of bacteria and yeast.

As matter and form entangle with history, are we aware of the multiple agents that have shaped it? 

A faded dress covered in floral patterns and letters is suspended in the air against a black background
my mother’s gown, 2023
A close-up of used Lipton tea bags are suspended in mid-air. The tea bags have yellow labels with red stitching on the front and back. There is an image of Sir Thomas Lipton on the front.
Temperance Tea Party Entanglements, 2023
A hand-written diary laying on dirt and is opened directly to the middle of the diary.
SCOBY diary, 2023
A blurry images shows a suspended dress against a black background
an acrylic sculpture sits on a green surface on a black, shadowy background. There are words inscribed on the face of the sculpture that say 'to the life that died so that I could call this into existence'
The Plantation brought me mother (and the acrylic house of Illusions), 2023