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Sam FederFilm DirectorMA Media Studies, 2004Cited by Indiewire as one of the “exciting trans filmmakers shaking up Hollywood”. Sam’s films explore legacy, conflict, and futures within the queer and trans communities. Through all of Sam’s work they strive to set new standards for ethics in film production. Sam’s films have been programmed by Sundance Film Festival, Tribeca Film Festival, CPH:DOX, MOMA PS-1, The British Film Institute, The Hammer Museum, and in hundreds of film festivals around the world. Sam’s current film, DISCLOSURE (Sundance, 2020), examines the images of trans people that permeate popular culture and the ideologies behind them. KATE BORNSTEIN IS A QUEER AND PLEASANT DANGER (2014), a portrait of trans icon Kate Bornstein, was named one of the best documentaries of 2014 by The Advocate, won the James Aronson Award for Social Justice Journalism, along with multiple best feature film awards. Sam’s work has been supported by Ford/JustFilms, Fork Films, California Humanities, The Jerome Foundation, Perspective Fund, Threshold, IFP Film Week, Good Pitch USA/Doc Society, MacDowell Colony, and Yaddo artist residency. |
More Alumni

Adam Santiago

Lauren Moraski

Wes Jackson

Lívia Sá

Louise Peres

Naghmeh Abbasi

Jessica Kingdon

Nelly Kobanenko

Sam Feder

Juan David Gonzalez Monroy

Jocelyn Alas

Shannon Fitzpatrick

Anja Dornieden

Valeria Ricciulli

Jessica Norton

Urvashi Ajmara

Rehana Esmail

Vanessa Pappas

Angela Lucía Sharp

Sarthak Garg
Learn more about our programs
The MA in Media Studies gives students experience in creative media making, critical analysis, and entrepreneurialism. The Media Management MS offers the practical experience you need to succeed in today's media industries. The Documentary Studies Certificate program provides an opportunity to study documentary filmmaking in a small, tightly focused program. The Media Management Certificate Program provides a strong foundation of management principles and leadership skills to find work in the ever-changing global media landscape.
