Aiyana Puranda
Sketched David
Class of: 2029
Major: Design and Technology BFA
Medium: Oil paint + Graphite
Faculty: Krista Johansson
Prompt: This project was a Baroque study from a historical and artistic perspective, with the final part being a fine arts composition.
Through my reinterpretation of the Baroque “David,” I was able to explore not the visual skills of seventeenth-century painting, but the more fundamental intellectual and emotional notions that defined the period. The Baroque aesthetic features dramatic light-shadow contrasts, deep emotion, and theatricality. Artists of the time pushed beyond static representation in an attempt to capture movement, tension, and psychological immediacy. As I examined these characteristics, I understood that the Baroque is more than a historical style; it is a timeless visual language based on intensity and dynamic presence.
My primary inspiration came from Bernini’s David. Smarthistory highlights Bernini’s ability to freeze a single, explosive moment in time: David in mid-twist, his body straining with focused intensity, frozen at the peak of motion (Smarthistory). In my reworking, I attempted to emulate David’s energy by extending his arm and twisting his torso. I purposely kept some graphite particles exposed and let certain brushstrokes remain loose and half-formed. These raw parts present the artwork as a work in progress, emphasizing movement and process. In this sense, rather than depicting life as a polished, static ideal, the painting becomes a modern echo of the Baroque emphasis on displaying life as it evolves.