Victor Ting

Blue Atlas Reserve

Class of: 2029

Major: Design and Technology BFA

Medium: Mixed Media

Faculty: Daina Mattis

Prompt: Utilizing the analog and digital tools learned throughout this course you will create a work that exhibits how you envision expansion into space. Either it be colonizing, for travel, or sanctuary from a pandemic, imagine this future place as a person, place or thing. How will you define this using the language of Drawing/Imaging. How will you display the Output? How does this represent you, relate to history and culture and how will others comprehend your intentions?

Blue Atlas Reserve is a credit card specially designed for everyday spending, with the highest 8x point rewards for the Hotel and Resort category.

Each credit card becomes an entry point into a larger spatial ecosystem. Airports, hotels, dining networks, and everyday infrastructures. They are visualized through maps, layers, and categorized zones. By redesigning and reframing credit cards, the project transforms financial benefits into navigable spaces.

In China, QR-code-driven payment culture is highly developed. I experience a shift when getting in touch with the U.S. credit card-centric economy. From scanning codes to swiping or tapping. What feels invisible in China’s payment system culture becomes a highly physical and multilayered system in the States, filled with hierarchy, rewards, bonuses, and access. This contrast highlights how different cultures shape different “payment spaces,” and how a simple card can represent an entire environment of movement, privilege, and behavior.

As I dive deeper into the research on different credit cards from various banks, I dedicate myself with my full interest to exploring the card in this design project.

—————–

Name of the Origin: [Blue Atlas Reserve]

Water, as one of the five traditional elements (metal, wood, water, fire, and earth), represents wealth in Chinese culture. The saying “遇⽔则发” (When you meet water, you prosper.) originates from this belief. I translated this idea into the name of the bank, Aqua Current, and the card, Blue Atlas Reserve, by using blue gradients and linear structures to reveal movement.

Line, something I believe is the foundation of design, became the structural language of this project. Culture in this project was not decorative; it was something that shaped the system’s conceptual framework.

Together, these elements transform the card into more than a financial tool — to hold it is to hold prosperity.